Instagone

I seem to be on a roll, getting rid of apps lately! Next up is Instagram.

Anyone from Instagram who found their way here via the link on my IG account: welcome to my insanity!

Instagram has been going downhill for years. Ever since it was bought by Facebook, it has become a cesspool of advertising, AI slop, “suggested” accounts to follow, reels getting shoved in your face, etc. I have to jump through hoops just to see the posts made by the few people I follow – and, conversely, I am quite sure that, being a small account, I’ve gotten little-to-no exposure for my photography work. The only reason I signed up to IG all those years ago was photography. Show off my work, maybe attract clients, connect with other photographers, and so on.

Those days are gone.

Half of my feed is targeted advertising based off the algorithm and analytics. Lots of softcore porn, and some actual porn. Not what I signed up for, and so I stopped using it. Today I decided to bite the bullet: as of the end of the year, I’m done with it. It’s become useless to me and just another place for the corporations to gather data about me and sell to the highest bidder, while simultaneously pushing ads down my throat. Not what I signed up for either.

Not that anyone reading this will really care about my little rant here, but felt like putting it out there. Social media pretty much sucks now days – and although I love Bluesky, I am sure that, given enough time, it will turn into drek as well. They always do. The companies get a taste for cheese and next thing you know, your entire feed is just garbage. Oh well. Hope everyone is having a good one!

Adobe Who?

We are witnessing the birth of what is going to be a historic event. ArtCraft just released functional (but still in development) replacements for seven of Adobe’s apps, including the big three: Photoshop, Illustrator, and Premiere. For free.

The ArtCraft alternatives are completely clean, open-source software. In other words, they did not use any of Adobe’s code to build them, and they’ve made their code completely accessible and free to everyone in the world. They basically just linuxed Adobe. This is huge! Anyone can download the code and do what they want with it. Want to tweak the way it works? Want to program some tools of your own? Share them with the world so others can add to them! And what this ultimately means is that, in short order, we are going to see ArtCraft’s alternatives reach Adobe-level functionality, and then far exceed anything Adobe could possibly do. And this will become a problem.

There are three reasons why I can say this with certainty:

First, Adobe only has so many programmers. The open-source community is larger and is driven not by money, but by the desire to create (that is, after all, why we programmers became programmers). This is why there are so many variations of Linux, some of them not so good, but several top-tier offerings that have improved so much that they’ve become extremely viable candidates for the soon-to-come exodus of people finally fed up with Windows.

Second, ArtCraft released Linux versions. This was something that Adobe refused to do. ArtCraft just tapped into the third-largest operating system. This has profound implications because suddenly Windows is no longer a constraint. There’s nothing stopping people from ditching Windows and going completely FOSS (free and open-source software). There’s also nothing stopping people from tweaking their creative tools. We’re no longer beholden to features we don’t want being included and features we do want being ignored.

Finally, and more importantly, by democratizing access to much sought-after software, ArtCraft has created one hell of a dichotomy. And this is where the baby starts moving down the birth canal.

Breathe.

If one company, in a matter of weeks, can replicate even many of the advanced features of Adobe’s products we now have a problem.

But Kapi, you said it was clean code! How did they reverse-engineer Adobe’s stuff so quickly?

They didn’t. Claude AI did. Those motherf***ers literally used AI to rebuild some of the most complicated graphics software on the face of this planet. And the AI didn’t have access to Adobe’s code either. Then they took the AI-generated code, cleaned it up, and built it in this crazy-fast programming language called Rust. The entire Photoshop alternative, PhotoCraft, was about a 70 MB download, compared to Adobe’s gigabytes. It took one second to install on my Mac, and it took five seconds to open. It works, and it works well.

There is no way Adobe is going to allow this. I’m sure their legal team hasn’t had any sleep recently. But they can’t do anything about it, legally speaking, as of yet. Their software was reverse-engineered – no Adobe code was used. The software was written by AI with no access to Adobe’s code. Adobe can even look for themselves to see if any of their code is there.

But the damage has been done. The ArtCraft code is already out there, mimicking Adobe’s products. Eager developers are out there, ready to make it work. Adobe has lost these products forever.

So what happens next? Does Adobe have any legal standing? Can they buy out ArtCraft? Hostile takedown? We’ll have to watch the news to find out. But what happens next isn’t the big question.

So who’s next? This is the real problem. Microsoft Office would be a viable candidate. And even if ArtCraft is taken down, bought out, whatever… it doesn’t matter because others will take ArtCraft’s place.

The fact is, the problem isn’t that the code is now out there. It’s not that Microsoft may be next. The problem is, the method is out there: using AI to replicate existing software without ever having to touch its code. Anyone can learn to do this, and quickly, because ArtCraft has been transparent and detailed about how they did it. They’ve built a template.

Think about this: Adobe just got royally shafted sideways – well deserved, by the way, because they brought this on themselves. Microsoft can see the writing on the wall – their push for Copilot is causing mass dissatisfaction among Windows users. Two of the largest software corporations on the planet are about to have some massive issues.

And now the baby is crowning! Because we are about to witness the beginning of AI regulation on a massive scale. If companies are pushing AI on us, and even on their employees, and AI can suddenly develop free alternatives, there is a massive conflict of interest. We can’t stop AI from generating code because there are now so many jobs dependent on AI coding. Therefore, we can’t stop AI from generating free alternatives unless massive regulation is put into place, which will harm the AI industry.

I think we may be on the verge of death for either AI or massive software corporations. Or even the death of free software.

Bye Bye, Safari… For Now

I’ve finally had it.

I’ve loved mac since I first bought one nearly 6 years ago. And, for all its issues and quirks, I really loved Safari. But today I’ve had it.

I’m on macOS Developer Beta, and I’m used to things being … well … weird when I’m going about my daily stuff. But ever since I installed macOS 26 (non-beta, mind you) I’ve had non-stop issues with Safari crashing. Constantly. I’ve figured out ways to get it to stop, for the most part. And when I started with Public Beta, something magical and wondrous would happen: every time I got an update I would have the same crashing issue with Safari. Open. Crash. Report. Open. Crash. Report.

I’ve sent the automated reports to Apple. I’ve sent feedback reports. No response, ever.

Today, after the latest update was installed, the bullshit started again. And this time I was absolutely done. In the feedback report to Apple, I told them as much (as if they care about this one person having problems). There are no technical documents anywhere on the internet about this issue, no solutions. So I switched back to Firefox.

I’m highly disappointed with Apple on this. I love their ecosystem! I have iPhones, AirPods, Macbooks, etc. But for Woz’s sake, why cannot they get this one thing fixed? Safari has always lagged behind when it comes to internet performance, but this issue was just too much.

Don’t worry, Apple, if you’re reading this: I’m not switching to – god forbid – Google. Just switching my browser 🤣

Sylvan Zaft

So when I was reading Peter Jameson’s Secret Language, I had reached out to one of the members of Esperanto Michigan to see if she knew him from years ago when the Esperanto Society of Michigan existed (sadly, they went defunct in 2012 otherwise I’d be a member of that instead of having to have cofounded Esperanto Michigan). She knew him, and I can’t wait to learn more the next time I see her!

But in the mean time, she had recommended another of his books, “Esperanto: A Language for the Global Village”. So I set about seeing if I could find a digital copy online. It only seems available on Amazon Kindle, which I do not have. As a side note: I refuse to get locked in to a proprietary eBook format – especially with Amazon and their willy-nilly rules for what you allegedly own. There have been multiple cases where they’ve just deleted a purchased eBook from Kindles when they decided to no longer carry it, with no notice, explanation, or refund. Bad business practice, in my opinion, but part of the world today where we increasingly own less of our purchases.

Nonetheless, I stumbled upon a thread on a website discussing the book and someone had pointed to a website – SylvanZaft.org – with more information about Dr. Zaft. I decided to check it out, but sadly it was gone. Pulling it up on Archive.org I found the site intact. It was just a single page, but had most of his collected works in PDF and text formats.

The page was created by someone as a tribute to Dr. Zaft. It was literally the only information on the internet I could find of him, and a valuable resource for other Esperantists. So I contacted the creator of the page and asked if he minded whether Esperanto Michigan could resurrect the page and maintain it. He gladly agreed. And, I think I got a new Esperanta amiko (Esperanto friend) out of the deal! He’s in Canada, just over the bridge, as we say here in Michigan. Well, actually he’s near Toronto, but close enough…

So, after a few hours of “scraping” (the technical term for making a downloaded copy of a website) the archived site, the domain re-purchased, and fighting with our webhosting company’s overly complicated system, I am glad to say that it’s now under our care and nearly exactly the same as it was when it was archived nearly 10 years ago! Eventually, I hope that we can discover more of Dr. Zaft’s works and add them. The site is actually a pretty cool design – check it out: www.SylvanZaft.org.

Thank you kindly to Gregorio Naçu for creating a lovely site, for gathering all the info and putting it together, and graciously allowing us to continue Dr. Zaft’s legacy!

Peter Jameson’s Secret Language

A few days back, I was looking through Esperanto sites online and found a young adult book called “Peter Jameson’s Secret Language” and decided to get a copy. The digital version is available for free on Archive.org (find it here).

At first, I found it to be kind of a cute but silly little book about a boy who wants to communicate with his friends at school in a language no one could understand – Esperanto. But as it went on, I found it to be a little more involved in that. What really caught my interest at first was finding references to Michigan and Ontario early into the book. So I decided to do a little bit of digging on the author, Sylvan Zaft. It turns out that he lived in the metro Detroit area! I was excited because I was going to ask him to come speak to our group… but sadly I also found that he had passed in 2015.

After finishing the book just a short while ago, I find that I am extremely sad that he is no longer with us. Peter Jameson’s Secret Language is far more than a children’s book about a secret language – it is an encapsulation of the Esperanto movement over decades. It is an allegory of the discovery, growth, betrayal, decline, resurgence, and the hope that the language brings. Certainly, I did not expect to have such a raw emotional response; I knew some of the history of the language but to have it put in such form really packed a punch.

I find myself more determined than ever to promote the culture and community – la espero (the hope) – that Esperanto stands for.

When I started the journey of learning Esperanto, first in the early 2000s and then more earnestly starting in 2017, it was just a niché language to me. Something fun and unique. Learning the history behind it has been an education I could have never, in my dreams of dreams, imagined. Esperantists during the second world war were killed by Russians, were put into concentration camps by the Nazis; the language was used by the US Army as the “enemy language” during training (see the government manual on Archive.org here). It angers me that such a beautiful concept, such a beautiful language, was distorted and used to abuse humanity.

I woke up today as a burgeoning Esperantist who knew some of its history, and tonight I will sleep as an Esperantist who – at least on an emotional level – has felt a tiny portion of that history.

Fajro brulas en mi; nesatigebla soifo.

Dankon, D-ro Zaft.

Capýmon: 2000 Locations!

Today I hit 2,000 locations on my Pokémon Postcard locator!

To be honest, I would have hit that number about 3 months ago, but back in March of this year, Google removed all the thumbnails from my 1,500+ locations up to that point. I have spent the last 3 months doing two things: trying to restore the thumbnails for those locations and removing ones that I had no hope of ever restoring (or it would have been months or years before I would have been able to go to a given location to get them). In all, I restored about 1,300 locations through weekend trips and during errands.

During the restoration process I also began the removal process, taking out any locations that I couldn’t get to. This saddened me, because there were a good number of really cool spots that I hated to get rid of. In the process, I also found several locations that no longer exist in the game which was also sad. But, during this process I put into place things which will prevent this catastrophe from happening again.

That being said, I will eventually be leaving Google My Maps and moving to a different system. I don’t trust them not to do this again.

I’m not sure how long I’ll keep going with this project, but at least I’ll finish the year out. I should have about 2,300 by then.

Check out the Capýmon map here, or the list of all the locations here!

Kenneth’s Coda: The Final Performance

This is part 3 of a 3-part series. To read part 1, click here. For part 2, click here.

Over the course of the next week things happened very quickly, and what started out as a simple mystery soon blossomed into a full-blown research project approaching near-obsession levels. Every new piece of discovered information opened up more research avenues, more questions.

It soon turned out that finding Kenneth was the easy part. But as I delved deeper I found myself moving from where Kenneth was to who he was. And it became increasingly evident that there was a bigger mystery to solve.

I’ll explain, but let’s start with the obvious: After 38 years, I finally found Kenneth. And more than that, I’ve visited his grave twice.

Further research through Newspapers.com yielded more than I could have hoped for: Brahms Conservatory was listed from at least 1963 as hosting film viewings, musical instruction, and recitals. In 1979, the last mention I could find, there was a small article about Kenneth closing its doors. Yet, there were still many advertisements for Kenneth privately teaching music through the 1980s.

Although its doors closed around 1980, he continued to offer occaional instruction and recitals at the Detroit Institue of Musical Art and at Smiley Brothers, under the Brahms Conservatory name.

Other online resources, such at the Royal Oak Historical Society and FindAGrave.com yielded further results. Through FindAGrave.com, I found his mother’s grave at Holy Sepulchre Catholic Cemetery in Southfield, only a few miles from where I live. But via the Royal Oak Historical Society, I found a news article indicating that he had published a book.

At this point, I had reached the end of my online searching. After a week of browsing through archived newspaper articles, year books, and census records, it had become time to start reaching out further.

I filed with the State of Michigan for a copy of his death certificate. I filed with the US Military Archives for a copy of his Navy discharge. And I contacted Holy Sepulchre for the plot location of his mother.

First, I received his death certificate. He did die from a heart attack brought on by complications from atherosclerosis. He also had diabetes. His funeral arrangements were handled by Hopcroft Funeral Home and he was interred at Holy Sepulchre. Also a pleasant surprise: he apparenly had a younger brother, Donald, who signed off on the death certificate.

I then reached out to Hopcroft, and they provided me with further information that led me to where his funeral was held and also helped me find his obituary. Holy Sepulchre responded back with information as to where his mother was located – and it also listed his father next to her. I decided to visit.

At the office of Holy Sepulchre, I asked if Kenneth was also buried there, and they were able to provide me with the plot location for him. I was an emotional wreck at this point, but decided to pay him a visit and put this part of the mystery to rest.

Less than two weeks after starting this journey, I was standing at Kenneth’s grave. I cleaned it off. I cried. I was relieved, I was sad, I was curious… so many emotions, it’s still hard to process these weeks later. But the important part was this: I now had answers and a working theory on what happened.

In my first post, I outlined how Kenneth’s personality shifted from being a patient teacher to one who would get fairly nasty. I think that his health started to rapidly decline in 1988. The diabetes, along with the atherosclerosis, likely made it difficult for him to manouver life. He was feeling worse and worse, until something happened and he ended up in the hospital in September 1988. Whether he was discharged for a time or not, I don’t know. But I do know that he died from a heart attack a little over a month later. His sister, Shirley, did contact us regarding this – or at least it is a strong assumption, otherwise I would not have had a memory which ended up matching the facts.

Finally, as a last piece of the puzzle, the Navy discharge papers arrived last week. His signature on the discharge matched his signature on my copy of Polka Vivace. There was no possible doubt remaining.

So, to summarize everything I’ve learned, here is a small bio:

Kenneth was born on 17 August, 1932. He lived in Ferndale, attending Hazel Park high school, graduating in 1950. During that time he also received instruction at the Detroit Institute of Musical Art. In 1952, he enlisted in the Navy during the Korean war. In 1956 he was discharged, but signed up for the Navy reserves for another four years, receiving his final discharge in 1960.

In 1961 he founded the Brahms Conservatory and, at some point thereafter, started the Brahms Music Publishing Company. During the 1960s and 1970s he held regular events at the conservatory in Royal Oak. However, he closed the conservatory around 1980 and continued hosting events elsewhere. Also during this time he provided private lessons for a variety of instruments.

At some point, he moved to what would be his final residence in Hazel Park. On 7 November, 1988, he died from a heart attack and was interred at Holy Sepulchre Catholic Cemetery.

Today is his birthday. I cleaned off the headstones of his parents. Everything has been submitted to FindAGrave.com. I even put a small US flag on his grave as he was a veteran. We had a good talk, and I told him I would see him Memorial Day. I intend to keep their graves in order for as long as I am able. They deserve that much.

Happy birthday, Mr. Campbell. You would have been 94 today, a very significant number for both of us, for reasons I will not here get into. I’m glad I finally found you.

But wait! you say. What about the book he wrote?

That is a story for another time. There are many things I discovered about who Kenneth was, and many questions I still want answered. What was he like? Who were his friends? Did he publish any other books or pieces of music? Some questions I have answers to, others require more research. A lot more research. So stay tuned. I expect this to be an interesting journey which will take a few months to complete. I have people to reach out to, archives to visit, and more paperwork requests to file.

It would seem that Kenneth had made a name for himself around here in different ways, so why was it so difficult to find out anything personal about him? That’s what I intend to find out!


My personal thanks to these individuals who helped me along the path:

Lisa Brown, Oakland County Clerk

Jodie Figurski, Holy Sepulchre Cemetery

Sue Guarnieri, Hopcroft Funeral Home

And my gratitude to these wonderful tools and all the people who have worked hard to provide detailed information:

Ancestry.com

Newspapers.com

FindAGrave.com


One last thing before I close this chapter and begin opening the next one. I had ChatGPT compile all the photos I had of Kenneth and create an age-progressed image. It isn’t perfect and, to be honest, I don’t quite remember what he looked like all those years ago. But this is a close approximation – or at least my fragmented memories and gut tells me so. One of my short-term goals while working on the next leg of research, is to find a more recent photo of him. I am curious to see how close ChatGPT got.

Kenneth’s Coda: The Orchestra Assembles

This is part 2 of a 3-part series. To read part 1, click here.

For the last 38 years, as the information and tools available on the internet gradually became robust, I would occasionally revisit my search for Mr. Campbell. But, as time went on, I gradually lost all but a small handful of memories. And sadly, I somehow lost my lesson book, which I had been holding onto in the hopes that it would help me solve this mystery one day. Gone are all the cartoons and other unique bits of Mr. Campbell’s personality, as well as other clues that may have been useful. I grieve that loss.

316½ S. Main St.

Until a few months ago, the only tangable reminder of Mr. Campbell having been in my life was a piece of sheet music: Polka Vivace (click here to view a PDF scan). The music is copyrighted 1966 and was published by Brahms Music Publishing Company at 316½ S Main St, Royal Oak. That property today sits above Tom’s Oyster Bar.

In 1985 he had invited me to a recital performance held at Smiley Brothers in Detroit and, while they are long since gone, a copy of the program (click here to view a PDF scan) survived nestled away within the many papers my grandmother left behind when she died a few years ago. And it was this program, found only a few months ago, that ended up providing a huge clue.

The recital was presented by Mr. Campbell who, according to a blurb on the back, founded the Brahms Conservatory in 1961.

Was Brahms Conservatory related to Brahms Music Publishing Company? Were they somehow connected? As it would turn out, they were both companies started by Mr. Campbell, and they both shared the same address in Royal Oak. But I’m again getting ahead of myself.

In the past, searches for Polka Vivace, Brahms Music Publishing, obituaries, or anything else relating to Mr. Campbell returned no results. But now the potential research avenues were opening up quickly, and I was starting to change my approach at how to search.

Now tools like ChatGPT are available, with stores of information gathered from the internet. I wondered whether it could help find him or at least connect pieces of information or suggest research avenues I hadn’t considered. So I asked.

Nothing. Not a damned thing.

However, I had an assortment of memories and facts that I could certainly use a GPT to compile and analyze, so I did just that.

I typed in everything I could remember:

  • he was tall and overweight
  • he was middle-aged
  • he had dark hair and a mustache, possibly glasses
  • he lived within a reasonable distance of my home in Warren
  • he took yearly trips to Rio de Janeiro
  • a vague memory of visiting his house, which may have been on a dead-end street
  • and a vague memory of his sister contacting and telling us he died from a heart attack

And now I had a recital program to add to that. I fed all of this into ChatGPT, and it made some potential connections and suggestions that I hadn’t considered, which has helped me pursue new avenues.

I’d been using Ancestry.com to research and build my own family tree for a few years… could I use it to find Mr. Campbell? It was a long shot, but I decided to give it a try.

And do you know what? I found him within a few hours of searching! Well… I actually found three Kenneth Campbells, all who had at least one sister, all within an acceptable radius of my home in Warren, and all within an acceptable age range.

But there was only one who really stood out: death in 1988 from a heart attack, matching my hazy memories; certainly not concrete proof, but good enough to pick as my first research point. Access to census records showed that this Kenneth Campbell grew up in Ferndale. Other associated records had his final address on Carlisle St. in Hazel Park.

Making the assumption that, if he had founded the Brahms Conservatory in 1961, he would have been at least 18 by that year to legally form a business. This means he would have had to have been born no later than 1943. And assuming that, as a middle aged man (when he taught me), he would have been no older than about 60, that would mean he shouldn’t have been born before 1928. Associated records at Ancestry.com indicated that this Kenneth was born in 1932. There were also scans of the 1950 Hazel Park High School yearbook – where he likely would have attended when he would have been a senior.

Opening those scans, I found his photo. He looked familiar but I wasn’t sure. So I copied all the pictures I could find of him and sent them to the only other person I know who knew him: my mother.

She replied nearly immediately, “That’s him“.

This Kenneth Campbell was very likely my Kenneth Campbell!

Elated, but cautious, I continued my search for more evidence. Memory is fickle, and I was asking my mother to remember someone from almost 40 years ago, based on a high school picture taken almost 40 years before that.

The house on Carlisle

The records on Ancestry.com indicated that Kenneth Campbell’s last address was on Carlisle St. in Hazel Park. I looked it up using Google Maps street view and I was in shock! Memories of the house I remembered visiting started to come back, especially since this house had a novel feature that I didn’t understand at the time (and had actually forgotten): a second front door leading up to a second floor flat. And while the house isn’t on a dead end street, it is right around the corner from a street which ends at a park (though not a dead end). Still not concrete proof, but definitely another potential puzzle piece falling into place.

By this point, I was nearly certain I had found him. But little did I know where my journey was about to take me in so short an amount of time. I was, in reality, still only on Day One of my research and had already made much progress.

It turned out that there was so much more to discover. Stay tuned!

Listen to a bad-quality, digitally rendered version of Polka Vivace:


Note: This post was written with a small amount of ChatGPT to help proofread, tighten up the language, and keep me on track with the research I’ve been using it to help compile and connect data points. Additionally, many of the photos have been cleaned up and slightly enhanced with the use of AI assistance.

Onklo Ludovigo Volas VIN!

Don’t know what got into me. Probably using GPT too much lately for research. But I thought this was a cute idea, planning on maybe making a t-shirt. I got GPT to create this inspirational poster based on the WWII Uncle Sam poster to start finding a way to bring about awareness about Esperanto. Steal it, if you like!

Esperanto Correlatives / Esperantaj Korelativoj

One of my two biggest problems learning Esperanto is the Correlatives. They are set up very logically, but for some reason I can never seem to grasp them completely. There exist many versions of the correlative “cheat sheet”, but I’ve yet to see one with three things that I’ve added onto mine.

First, in order to help learn better, I place the prefix “Ki-” at top because it is typically a question. That way, everything that follows becomes an answer. For example, Kiam? (When?) can be answered with iam (some time), iam ajn (any time), ĉiam (always), tiam (then), ĉi tiam (now), neniam (never).

Second, I added “I- ajn” and “Ĉi ti-” as prefixes which, not technically considered correlatives, still fits in and are built out by the other suffixes.

Finally, I added notes about exceptions which help clarify some details. A higher-quality PDF version can be downloaded here: new correlatives

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